Thursday, 5 January 2012

Kings of Leon Documentary Talihina Sky

Soaring to new heights or a band hitting turbulance?



'Kings of Leon' have shared an abundance of success since forming in 1999.
Five albums and a documentary later its easy to see why they have vastly become one of the worlds favourite rock bands to date. However, as I am about to explore, new documentary 'Talihina Sky' may have been a stumbling block against an otherwise arguably flawless existence. 

The bands debut album 'Youth and Young Manhood' (2003) was groundbreaking this side of the atlantic, giving them huge success in the UK. Follow up album 'Aha Shake Heartbreak' (2004-05) saw the Followills gain accolade from some of their rock peers. Touring in 2005-2006 with Bob Dylan, an opportunity not taken lightly by the Followills holding him as a hero and inspiration of the band. They also went on to support nations favourite Pearl Jam during the same period on the South Pacific leg of their world tour.

'Kings' first number one in the UK came with the release of their third album 'Because Of The Times' (2006-07). Although some reviews were far from flattering it still shifted over 70,000 copies in its first week.'Only By The Night' (2008-2009) arguably the bands most commercial album to date saw them gain long awaited recognition by their native, America. With debatably a slightly more watered down radio friendly sound, singles 'Sex On Fire' and 'Use Somebody' propelled the album to new levels of success across the globe. Giving the band a broader appeal that stemmed from air time on prime time radio stations.
The bands latest album 'Come Around Sundown' (2010-2011) saw this seemingly unstoppable force of rock and roll gain more reward with a Grammy nomination for best rock song in 2011 for 'Radioactive'.

After all the success obtained through these albums comes Kings Of Leon's latest venture, the homely titled documentary 'Talihina Sky'. It centres on the band's up bringing, family and friends all of which seemingly shaped the four twenty and thirty somethings into the group we know today. 

Even with a relatively acceptable running time of 1:23:06 it feels like more of an endurance test rather than a trip behind the scenes. Choosing to focus mainly on their roots it would have been more bearable had it included more live, studio or touring footage. Instead the viewer is subdued to home videos and interviews with family and friends. What starts as an interesting insight into their religious roots and humble upbringing in Albion, Oklahoma seemingly appears to be filler material opposed to the anticipated footage of the years of sex, drugs and rock and roll that made this notorious foursome irresistible to UK music magazine headlines and the behaviour which made them the adopted sons of the UK's rock scene. 

Director Stephen C.Mitchell was there from the beginning, handing brothers Nathan and Caleb their first song writing deal whilst working on music publishing in Nashville. Admitting that the early footage of the band forming in their garage with brother Jared and cousin Matthew along with early tour and gig footage was "lost or stolen" they had to dive into the archives and recover footage the lads had taken themselves. Being brought up in the 'home video atmosphere' they took to the camera with ease, however the footage is much to be desired.

'Talihina Sky' is not one of KOL's best achievements, and after much anticipation it is rather disappointing it's not the portrayal of one of the worlds biggest bands that we expected or wanted. This won't signal a decent from the summit of chart rock, however it will trigger an expectant, possibly impatient reaction from fans waiting for a highly anticipated NEW project, hopefully, worthy of its hype.

Monday, 28 November 2011

The NME "Cool List"

Accurate portrayal or are they just trying too hard? 

So it's that time of year again, NME have compiled a top ten cool list for 2011. I've included a small insight into each artist, you may need it... 

1. Azealia Banks - Unsigned female lyricist from Harlem, NYC. Created waves within the music industry with her very first recording 'Seventeen'. Currently working on a debut album. A fairly expected number one spot from NME-namely as no one seems to have heard of her.

2. Jarvis Cocker - Self explanatory figure head of the Britpop movement of the 1990s with band 'Pulp'. Going on to secure legendary status with a well decorated solo career and eccentric reputation.

3. Honor Titus - Lead singer of punk band 'Cerebral Ballzy' originating from Brooklyn, New York. He has an energetic stage presence and anarchic attitude.

4. Serge Pizzorno - Guitarist/Lead song writer for Leicester rock band 'Kasabian'. One of the most emphatic lyricists and dressers of our time.

5. Tom Meighan - Lead singer for band 'Kasabian'. Comes with swagger and a cocksure attitude worthy of topping any frontman poll position. 

6. Lana Del Ray - A stage name inspired by late Hollywood actress 'Lana Turner' and the Ford Del Ray. Or Elizabeth Grant to friends and family. Is an American singer/songwriter and darling of daytime radio.

7. Rhys Webb - Formally known as 'Spider Webb' it's hard not to include this organ/bassist from band 'The Horrors' in the top ten...right?

8. Theo Hutchcraft - The slightly serious looking, impeccably dressed singer of Manchester electro/synth/pop band 'Hurts'.

9. Matt Helders - Rap enthusiast and beat keeper for Sheffield indie muses 'Arctic Monkeys'. Upholding the bands famously dry/witty sense of humour with various youtube hits.

10. Ellery Roberts - Lead singer for Manchester based band 'Wu Lyf' - World Unite Lucifer Youth Foundation. Creating suspense and mystery by not giving interviews or releasing information to the press until recently. They describe their music as "Heavy Pop". Probably the most talked about new British act from last year.

So there you have it, NME's idea of cool. You may feel disillusioned by some of the results feeling that some candidates are more worthy than others or that several artists were overlooked. Is this list a comprehensive guide or just a forced conception of what NME deems 'cool' for the benefit of its target readership?

You decide.